Paris

300 Words: How is Japan?

Sooooo how is Japan?,
Three hundred words is not enough to even begin….
Nine days was no where near enough time either ….not enough time to describe the visual cacophony
of light and sounds that greets the first time traveller upon reaching down-town Tokyo….but that’s another story…I digress.

One of the subtlest things I loved about JApan was the colour co-ordination, the colour combo’s, which you
see everywhere, on everything, a certain sense of style, finess & finish, everything seems considered…
And everyone does their best, works their hardest…maybe sometimes too hard…you feel like saying to some people just chill out, let your hair down…

I got some big smiles from nearly everyone, and especially at the Onsen where people seemed to have most fun…that was real cool,
Seeing old folk sneaking beer into the baths, and chuckling when they got caught, the mountain people know how to live…

I love the architecture,
I love the treatment of nature
I love the fact that everything was so alien to me,
It could have been the age of Edo 150 years ago…
No wonder so many westerners have been inspired by Japan for so long.

It’s like no where else on earth and I’d do anything to go back,
Maybe paint something there..
See the whole country from top to bottom…
And bring all my friends.

There’s something for everyone.

Japan-eye-can
Duuuuuuuuuude X

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Xenz

“Hey kid! Lend us some of that Carplan blue!”

It was Dekode of TCF, and next to him was Paris and perched rather precariously atop of him was another scruffy-looking East Hull youth type adding the finishing touches to their production. He looked a bit frightening, I better give him my paint I thought.
We came back the next day (what else to do on a grey cloaked Northern weekend?) and found a dazzling piece, a masterpiece production with spinning B-boy rockerz awash with energy.
My! Those East Hull ruffians certainly knew how to make the best of a bad can of Boys’s Carplan. Throughout those summers at the warehouse there was a friendly rivalry with TCF and DRA. For all intense purposes they were the same crew.
Nonetheless you could see the TCF crew had an energy and force that set them apart from the chilled vibe of the DRA at that time.
TCF were a three-headed beast and it worked so well. Dekode the egg-chasing friendly powerhouse, Paris the dark horse dreamy schemer and then,,, Sens,,, l’enfant terrible.
It was said he would on occasions leave pieces half-done much to the chagrin of other writers. “What is it?”… “Why’s he not finished it?”
Xens came at it all from a different angle, a rusty busted perspective.
Fired-up twisting metalic shapes were left scrappy and unfinished – where the hell was he going with all this? And then came the first buildings and tower blocks complete with roads and metal panels and cables and wires and beams and lights and cars set to a moody futuristic Turner-like sky and his style blossomed. Bristol was his platform and like his famous budgerigars, canaries and cockatiels, bird-brained Xenz had taken flight: Gambia, Australia, Switzerland, France and this summer to Ibiza to paint with old school writers Goldie and Inkie. David Sausage talks to Xenz.

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1) What is graffiti inside your mind?
A big dog that’s soft as a teady bear that has multicolured triangular hair with millions of spots .

2) Urban in Ibiza August 8th featuring Cheba, Inkie, Goldie, Xenz, Cept, Kid Acne, Chu, Zeus, Ben Slow, wow… What’s that?
Its an exhibition on an island full of hippies and loonies from all over the world.

3) Who was the cock of your year at school and if he saw you now would he spark you owt or say niyus won?
Can’t remember his name he was a dick but hed say Niyus won.

4) Why did graffiti happen so much and take such a decidedly experimental twist in Hull?
Lots of empty buildings and bored kids with the city devided in half by a river.

5) You’ve been a friend for a long time, after all what are friends for?
Borrowing things from.

6) Roads, Birds, Futuristic landscapes, lines and Twitter where are you going with all this?
Allong the spiral of life trying to help people feel ok about thinking outside what they are told is the way to do it or trying to counteract negative vibes with niceness.

7) Why do we paint graffiti?
To have trendy finger nails.

8 ) What’s the most ultimate maximus radickle thing you can do?
Orgasm

9) What will you be painting at Inkie’s See No Evil?
Something abstract with something real in the middle and something wrong up the top.

10) What’s your impression of Japan? Do you plan to exhibit here?
I have very good impression of Japan – very pretty, very futuristical and beautiful. I’d love to come and do my thing.

Xenz is unavoidable, but if you really need help finding him he’s here:
www.xenz.org

and here:
urbaninibiza.com/2010/


See No Evil

UK graffiti legend Inkie is planning to have a huge 3 day graffiti jam in Bristol’s town center from Thursday, August 18th to Saturday 20th. This is set to be Europe’s biggest ever graffiti jam.  Having a concrete box with a runny nose all done up spick and span bristol fashion by a slice of the bestest local writers plus TATS cru, El Mark and so far Shoe from Holland can’t be a bad thing. Bristol Council have seen the tourist pull of Melbourne’s Alleys and since one can already take a “Banksy tour” expect graffiti, stencil and artists to be there in no short measure.

We here at Chotto Matte are looking to interview Inkie but looks like he’s going to have his hands full until after the event.

Mother Goose was so excited when she heard the news that Bristol is set to be the stage of Europe’s biggest ever graffiti jam she laid 6 GOLDEN EGGS! They will be located all around Nelson street whilst the event is on… see if you can find them all! Person with the most eggs wins a …

V E R Y  S P E C I A L   P R I Z E !!!